Tuesday, October 23, 2007

In offense of the genre

The new Say Anything record, In Defense Of The Genre, came out today. For weeks and weeks, all I have done is read that it's the "release of the year" on absolutepunk.net and in Alternative Press. Most of you know how reputable I deem these rags to be as it is, and I just can't wrap my head around how this band is still likened to the next coming of The Beatles. For any other band, a 27-song double-disc release would be attacked as pretentious and egotastic. But not this. No, this is bold and ambitious, the work of a mad genius. This is a masterpiece. Riiiiight.

I mean, I touched on this very subject earlier this year. And to be honest, I listened to all the songs that were pre-released from the new album. I hoped to be dissuaded from my opinion. "What is it that I'm missing here?" I thought to myself. "Why can't I understand this?" And to this day I remain baffled.

As mentioned, it doesn't help that the two prevalent scene media outlets are completely stroking this band. This morning, absolutepunk posted a review of the record. It has to be one of the most useless reviews I have ever read in my life. It basically just lets the reader know just how awesome and completely infallible the reviewer believes Max Bemis to be. For instance, the review states:

And with 27 songs, there are bound to be a few cringe-worthy lines, with gems like “Jesus died a Jew/pupils painted blue/you haters know it’s true” being one of the more ridiculous lines. But, strangely, these flaws just add to the concept of this album, that relationships are chaotic and unfocused at times, but also they can be great and change your life.

That is one of the most ridiculous statement I have ever heard in my life. Call a spade a spade - bad writing is bad writing, not life changing.

He also goes on to state:

With all the hype Say Anything has generated for this release, it’s pretty common to see a lot of hate; most of which is foolish.

That has to be one of the the most ludicrous things I have ever read in a review in my life. I mean, I've read hundreds of reviews that I've disagreed with, and even hated, but I have never come across such a preposterous statement in a review. Basically, that sentence reworded could easily read "Um, some people don't like Say Anything, and those people are obviously missing brain cells."

Also it doesn't help that absolutepunk have changed their background and color scheme to coincide with today's release. FTL.

Off the top of my head, I can think of two bands out there that are doing stuff that's "quirky" and "off-beat" like this. Only they do it better. (Incidentally, those bands are RORY and The Matches.) Now, by no means am I knocking anyone who likes Say Anything, nor am I calling in to question the musicianship and skill found within that band - I commend anyone who can make a living playing music, and for what it's worth, they're not terrible. I just don't like them. What I am calling in to question is the credibility of those who are shoving this record down the throat of the entire scene.

There are several records that come to mind that could be considered for"the best album of the year": Chase This Light, Even If It Kills Me, Under The Boards, Infinity On High, and on and on. Well, if you're going to be gay for one big release, you have to be gay for them all. You cant just be Say Anything-curious. Be fair. Give the facts and let people make their own minds up. It's getting to be as bad as corporate radio. You want to defend the genre? Knock this stupid shit off.


3 comments:

jessica maria said...

Hey ohhhhhhhh! Okay, I was reading that review, too, and I was like, uh...this review and it's writer sucks. I just made a post about how I'm not listening to it until I get all this hype out of my head.

Calm down, emo freaks. Though, yes, I am a fan of Say Anything (a little late - again, the hype stagnated any love I was gonna feel for this band.) It took Jesse putting it on my iPod for me to listen to it. I mean, I HATED this band. I went out for drinks with Max Bemis & Jesse and was like, "I don't care who you are and why you're on the lips of every sycophantic scene elitist..." (in my head, ha). And then I listened to the album, and, yeah, okay, I liked it. Loved it. I can admit to changing my mind.

That was a diatribe. My apologies.

everyonelistens said...

No please. Your opinion is obviously so respected.

In all honesty, what I've heard of this record is more palatable to me than anything off ...Is A Real Boy. It's quite possible that when all the hype dies down, I'll go back to this with fresh ears and actually find myself enjoying it. I've changed my mind before, and I have no problems maybe liking this band someday.

I guess the problem I have lies with the point you touched on - scenester elitists. It just really grinds my gears. Oh, and horrible writing. I'm such a grammar nazi - I can't imagine what I'd be like were I a journalism major.

stayillogical said...

You left out The Alchemy Index (even though it's just Vol. 1 and 2) from your possible albums of the year. It's definitely mine.